From the original inspiration and simultaneously to the symphony primitive condition, the musical art has exploited all the veins instrumental.
But such major arts, music has managed to avoid empiricism: phases of transcription and imitation (the raging elements, wind, ocean, etc.., Noah's ark, and more recently the many pseudo-replicas of railway equipment), all jokes lost their salt the appearance of the first phonograph, because when the opportunity presented itself to hear real animal or a real locomotive, if we really wanted to hear, instead of trying to express a more or less confused.
The return to primitive, using some forms of jazz, completed the decadence; since Satie music survived as easy distraction, or as art. But the collapse came at a stage where we attended a race for new instruments, or most often a complication of existing ones. The artistic progression, rather than carried in the direction of the simultaneous creation, had been debased by poor intake tends to specialize.
should be the beginning of more subtle notions. The creation is the search topics accessible to new materials, that is to say, the discovery of unusual excuses. The composition lies in
further expressions of future, closer to the subjects, therefore, will express them more actively.
further expressions of future, closer to the subjects, therefore, will express them more actively.
The development assume the acquisition of sounds unheard. There will be free to listen, because attention will no longer settle for understanding, but to capture the beauty so far remained tight. Usual successor entities musical sequences showcasing syncopated vibrations chosen for their speed, intensity, or timbre. Harmonic coherence and synchronization easier, are all factors that will eliminate parasites. But is it music? Such will be the question, novelty bringing with it every time that feeling of violation, of sacrilege - that is dead is sacred, but what is new is different to say, "that is pernicious.
No, it's more than music. The reign of the cornet was completed at the same time as the stonemason.
The difference between the arts increases confusion. So does does one distinguish the arts more strong, but an art teacher absorbing: the art of concrete. Similarly the new architecture will determine a plastic sound (by use of molecular wave) who identified with the decor. We then witness the shocking discovery of climates.
Art is no longer a beautiful thing made by means, but beautiful ways that make something occasionally.
Jacques Fillon, "From the sound environment in a broader construction, Potlatch. Newsletter of the French group of the International Lettrist , Number 21, June 30, 1955 (Editor: M. Dahou, 32 rue de la Montagne-Geneviève, Paris 5e.)
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