Thursday, December 2, 2010

Domadiary Datenut Bread

Cosmoz Claro - Universal litt. Man









When The Wizard of Oz appears in Book 1 st January 1900, its author, Frank Baum, did not realize how his characters symbolize the coming century. The diabolic Claro translator, experienced in American culture and his books monsters (James Flint, Thomas Pynchon ...), was therefore seized the country beyond the rainbow to propel it in the first fifty years of the twentieth century. In search of their origins forgotten, Dorothy and her friends are so caught up with the cruel reality of a world where their utopia technicolor hell of the trenches alongside and later in the camps.

Making use of semantic shift and symbolism (the tornado of Oz becomes a mushroom cloud, Oz and meet ... Auschwitz), Claro telescope is reality and fiction with a hair-raising speed, creating a veritable literary fission. The dream worlds and nightmare display their twinship confusing, and draw a twentieth-century history of a sudden clicking of heels (and Dorothy or SS), and confrontation devastating hurricane film (Snow White or Oz).

Rebel Memorandum, Cosmoz oscillates between scholarship and poetry, romance and realism, all carried by a literary breath quickening. The French language slumming away land of literature salon and returned disheveled, wanton and happy. Just as the reader!

Posted on: Snatch Magazine

Gowns For Rent Shops In Manila

wet Antoine Senanque - History of water.












Strange pitch, not to remember the great eruption of normalcy in the most confounding of Metamorphosis by Franz Kafka.

In Budapest in 1938, a man, Vadas Pal, an official post in the life metronomic, is suffering from a strange disease: its body exudes astronomical amounts of salt water. So Hungary that vibrates to the sirens Nazi Vadas sees his sweats progress in terms of key dates in the pre-war (Anschluss, Munich Agreement, Kristallnacht, the invasion of Poland).

Doctors, unable to name the evil echo the unnameable, the unspeakable mortification that gradually Europe. The author manages to avoid the classical terminology of Nazism (the term Nazi is never used, like Hitler, swastikas ...).

crises follow the progression of the character of the contamination of the Reich, each more violent and hallucinatory crisis than the last.

If the first part of the novel cleverly distills the parallels between story and great history, while maintaining the scientific mystery of evil (think Kafka), unfortunately, is tilted in the last third of the book to the explanation (scientific ). Metaphorical content (even mystical) disappears from the field and wet The man returns to a more narrative agreed and expected outcome.

While last year, Cadence Stéphane Velut, kept his commitments on a literary canvas eerily similar (in Hitler's Germany, an artist creates a perfect Aryan Doll by modeling the body badly of a girl), The Man wet fails to maintain its uniqueness.

Posted on: Snatch Magazine.